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  2. Classical unities - Wikipedia

    en.wikipedia.org/wiki/Classical_unities

    In Rhetoric Aristotle considers the dramatic elements of action and time, while focusing on audience reception. Poor translations at the time resulted in some misreadings by Trissino. [1] [2] Trissino's play Sofonisba followed classical Greek style by adhering to the unities, by omitting the usual act division, and even introducing a chorus ...

  3. Orientation (mental) - Wikipedia

    en.wikipedia.org/wiki/Orientation_(mental)

    Orientation is a function of the mind involving awareness of three dimensions: time, place and person. [1] Problems with orientation lead to disorientation, and can be due to various conditions. It ranges from an inability to coherently understand person, place, time, and situation, to complete orientation.

  4. Rule of three (writing) - Wikipedia

    en.wikipedia.org/wiki/Rule_of_three_(writing)

    [2] [4] The three elements together are known as a triad. [5] The technique is used not just in prose, but also in poetry , oral storytelling, films, and advertising . A tricolon is a more specific use of the rule of three where three words or phrases are equal in length and grammatical form.

  5. Narratology - Wikipedia

    en.wikipedia.org/wiki/Narratology

    Narratology is the study of narrative and narrative structure and the ways that these affect human perception. [1] The term is an anglicisation of French narratologie, coined by Tzvetan Todorov (Grammaire du Décaméron, 1969). [2]

  6. Narrative - Wikipedia

    en.wikipedia.org/wiki/Narrative

    He and many other semioticians prefer the view that all texts, whether spoken or written, are the same, except that some authors encode their texts with distinctive literary qualities that distinguish them from other forms of discourse. Nevertheless, there is a clear trend to address literary narrative forms as separable from other forms.

  7. Focalisation - Wikipedia

    en.wikipedia.org/wiki/Focalisation

    In narratology, focalisation is the perspective through which a narrative is presented, as opposed to an omniscient narrator. [1] Coined by French narrative theorist Gérard Genette, his definition distinguishes between internal focalisation (first-person) and external focalisation (third-person, fixed on the actions of and environments around a character), with zero focalisation representing ...

  8. Narrative identity - Wikipedia

    en.wikipedia.org/wiki/Narrative_Identity

    Characteristic adaptations encompass a person's motivations, developmental concerns, and life strategies and are used to describe the individual within their contextualized time, place, and social roles. Narrative identity, the third level in McAdams' framework, encompasses the internalized, evolving story of the self.

  9. Chronotope - Wikipedia

    en.wikipedia.org/wiki/Chronotope

    In literary theory and philosophy of language, the chronotope is how configurations of time and space are represented in language and discourse.The term was taken up by Russian literary scholar Mikhail Bakhtin who used it as a central element in his theory of meaning in language and literature.