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This page was last edited on 29 October 2012, at 16:41 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
Utopia is the second of two self-titled albums by the rock group Utopia (the other being Todd Rundgren's Utopia). It was released in 1982 (see 1982 in music). It was also their only album for Network Records. During the composing phase of this album, Kasim Sulton had left to pursue a solo career, and Doug Howard from the band Touch was brought ...
In the original image, the album the boy holds is a copy of the Beatles' Capitol Records debut LP Meet the Beatles!, but on the Utopia cover this has been photographically replaced with an image of the Swing to the Right cover (thereby creating the illusion of an endless regression of the same image).
Deface the Music is the fifth studio album by the band Utopia.The concept of the album was to pay homage to the Beatles and create songs which sounded very similar to the Fab Four's tunes throughout the various stages of their career.
Even the album’s closer, “Til Further Notice,” continues the low-frequency trip-hop of “Mile High,” James Blake, Metro Boomin and Scott’s last collaboration all together on Blake’s ...
Featuring Beyoncé, SZA, Bon Iver, Drake, Sampha, Young Thug, Playboi Carti, Daft Punk’s Guy-Manuel de Homem-Christo, Future, James Blake, Kid Cudi, 21 Savage, and ...
POV is the ninth and final studio album by the rock group Utopia, released in January 1985. [2] It peaked at #161 on the Billboard 200 charts. Except for a live 1992 reunion album (and compilations), this was the last album released by Utopia, and Rundgren's final studio work under the Utopia banner.
Some album covers prove controversial due to their titles alone. When the Sex Pistols released Never Mind The Bollocks…in 1977, a record shop owner in Nottingham named Chris Searle was arrested ...
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