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Also included on this album is a cover of "All I Have to Offer You Is Me", originally recorded by Charley Pride. The album has also been certified gold by the RIAA . "I'm the One" was later covered by Ricky Van Shelton on his 2000 album Fried Green Tomatoes , which also includes his cover of "All I Have to Offer You Is Me." "Baby, I'm Loving ...
The album was produced by Bernice Johnson Reagon and her daughter, Toshi Reagon. [5] It was inspired by the group's work locating religious songs for NPR's "Wade in the Water" program. [6] Eight of the songs are originals; of the covers, one dates to the late 1940s, while the others are traditional gospel songs with unclear authorship. [7]
"Sacred Ground" is a country music song, co-written and originally recorded by American country music singer Kix Brooks, prior to his joining Ronnie Dunn in the duo Brooks & Dunn. Brooks' version was issued in 1989 as a single, and was included on his 1989 self-titled debut album .
Sacred Ground: A Tribute to Mother Earth is a compilation album of Native American music released through Silver Wave Records on September 13, 2005. In 2006, the album won Jim Wilson the Grammy Award for Best Native American Music Album .
Sacred Ground is an album by David Murray released on the Canadian Justin Time label. Recorded in 2006 and released in 2007 the album features performances by Murray, Lafayette Gilchrist, Ray Drummond, and Andrew Cyrille which were composed for the soundtrack for Marco Williams' film Banished (2007) on American counties in the South and Midwest that expelled blacks between Reconstruction and ...
Sacred Ground (McBride & the Ride album), or the title song (see below), 1992; Sacred Ground (Sweet Honey in the Rock album), 1995; Sacred Ground (Whit Dickey album), 2006; Sacred Ground: A Tribute to Mother Earth, a 2005 compilation album of Native American music "Sacred Ground" (song), a 1989 song by Kix Brooks, also covered by McBride & the Ride
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The album contains three cover versions of songs by Madonna, Baron Barbers and Cris Villonco. Upon release, the album received generally favorable reviews from music critics. Many of which pointed out the "melodic catchiness" compared to Heaven, but criticized the songwriting, lack of depth and failure to produce potential hits.