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Randy Brecker (trumpet, flugelhorn), Terry Dee (harmonica) 1991 Back on the Case: Nick Webb Greg Carmichael – Klaus Sperber Terry Disley Bert Smaak Mario Argandoña Ludwig Gotz (trombone) 1992 Early Alchemy: Nick Webb Simon James – Jeff Clyne, Ron Mathewson – – Mario Argandoña The Violettes (string quartet) 1993 The New Edge: Nick Webb ...
The sound of the flugelhorn has been described as halfway between a trumpet and a French horn, whereas the cornet's sound is halfway between a trumpet and a flugelhorn. [6] The flugelhorn is as agile as the cornet but more difficult to control in the high register (from approximately written G 5), where in general it locks onto notes less easily.
Jerry Hey (born 1950) is an American trumpeter, flugelhornist, horn arranger, string arranger, orchestrator and session musician who has played on hundreds of commercial recordings, [1] [2] including Michael Jackson's Thriller, [3] Rock with You, "Don’t Stop ‘Til You Get Enough", "Workin’ Day and Night" [4] and the flugelhorn solo on Dan Fogelberg's hit "Longer".
These include the bugle and older variants of the trumpet and horn. The trumpet was a natural brass instrument prior to about 1795, and the horn before about 1820. In the 18th century, makers developed interchangeable crooks of different lengths, which let players use a single instrument in more than one key.
Arthur Stewart Farmer (August 21, 1928 – October 4, 1999) was an American jazz trumpeter and flugelhorn player. He also played flumpet, a trumpet–flugelhorn combination especially designed for him. He and his identical twin brother, double bassist Addison Farmer, started playing professionally while at high school in Los Angeles. Art gained ...
Ralph "Pee Wee" Middlebrooks – trumpet, trombone and background vocals (1959–1984) Clarence "Satch" Satchell – baritone saxophone, tenor saxophone, soprano saxophone, alto saxophone, flute, percussion, lead and background vocals (1959–1980) Marvin "Merv" Pierce – trumpet, flugelhorn, valve trombone and background vocals (1972–1982)
Matheny began his career playing trumpet, studying for a time with noted New York brass teacher Carmine Caruso, but in the late 1980s he began focusing on the flugelhorn as his primary instrument. [1] He began studying with jazz flugelhornist Art Farmer in 1988. [3] [6] [7]
It uses a horn mouthpiece and is available as a single tuba in B ♭ or F, or, more recently, as a double tuba similar to the double horn. Its common range is similar to that of the euphonium , but its possible range is the same as that of the horn, extending from low F ♯ , below the bass clef staff to high C above the treble staff when read ...
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