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Playing a 43 cm (17 in) viola in 3rd position. A person who plays the viola is called a violist or a viola player. The technique required for playing a viola has certain differences compared with that of a violin, partly because of its larger size: the notes are spread out further along the fingerboard and often require different fingerings.
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously.
Modern incarnations of the tenor violin include the violotta and viola profonda (both held at the shoulder). In the violin octet , the tenor violin exists as an instrument tuned an octave below the violin and approximately the same size as a 1 ⁄ 2 -size cello; the baritone violin in the same is an enlarged version of the cello.
The viola d'amore usually has six or seven playing strings, which are sounded by drawing a bow across them, just as with a violin. In addition, it has an equal number of sympathetic strings located below the main strings and the fingerboard which are not played directly but vibrate in sympathy with the notes played.
The viola da gamba, or viol, or informally gamba, is a bowed and fretted string instrument that is played da gamba (on the leg; [a] Italian: [ˈvjɔːla da (ɡ)ˈɡamba]).It is distinct from the later violin, or viola da braccio (viol for the arm); and it is any one of the earlier viol family of bowed, fretted, and stringed instruments with hollow wooden bodies and pegboxes where the tension ...
This notation was also used to notate music for the viola d'amore, an instrument played and composed for by composers such as Biber and Vivaldi. The viola d'amore used a great number of different tunings and writing music for it in scordatura notation was a natural choice for composers of the time.
A man playing the violin. It is possible to play the violin holding it in a variety of ways. Most players hold the lower bout of the instrument between the left shoulder and the jaw, often assisted by a semi-permanently attached chinrest and detachable shoulder rest.
The playing time of the concerto is about 25 minutes. [ 22 ] In his study of Walton, Michael Kennedy comments that in its design the Viola Concerto resembles Elgar's Cello Concerto in beginning with a slow ("or at any rate ruminative") movement followed by a quick scherzo, and concentrating most weight into the finale, "which ends in a mood of ...