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Early Celtic art is another term used for this period, stretching in Britain to about 150 AD. [2] The Early Medieval art of Britain and Ireland, which produced the Book of Kells and other masterpieces, and is what "Celtic art" evokes for much of the general public in the English-speaking world, is called Insular art in art history. This is the ...
Celtic art is generally used by art historians to refer to art of the La Tène period across Europe, while the Early Medieval art of Britain and Ireland, that is what "Celtic art" evokes for much of the general public, is called Insular art in art history. Both styles absorbed considerable influences from non-Celtic sources, but retained a ...
It uses a distinctive form of the general Celtic Early Medieval development of La Tène style with increasing influences from the Insular art of 7th and 8th century Ireland and Northumbria, and then Anglo-Saxon and Irish art as the Early Medieval period continues. The most well-known surviving examples are the many Pictish stones located across ...
The La Tène style, which covers British Celtic art, was late arriving in Britain, but after 300 BC the Ancient British seem to have had generally similar cultural practices to the Celtic cultures nearest to them on the continent. There are significant differences in artistic styles, and the greatest period of what is known as the "Insular La ...
It identified the wearer, apparently usually female until the 3rd century BC, thereafter male, as a person of high rank, and many of the finest works of ancient Celtic art are torcs. Celtic torcs disappeared in the Migration Period, but during the Viking Age torc-style metal necklaces, mainly in silver, came back into fashion. [2]
The triquetra is often found in insular art, most notably metal work and in illuminated manuscripts like the Book of Kells. It is a "minor though recurring theme" in the secondary phase of Anglo-Saxon sceatta production (c. 710–760). [2] It is found in similar artwork on early Christian High Crosses and slabs.
The history of Celtic art can be broken down into two key periods: [42] Hallstatt Culture (circa 800–500 BCE): The earliest recognizable form of Celtic art is associated with the Hallstatt culture, located in what is now Austria and surrounding regions.
The form gained new popularity during the Celtic Revival of the 19th century; the name "Celtic cross" is a convention dating from that time. The shape, usually decorated with interlace and other motifs from Insular art, became popular for funerary monuments and other uses, and has remained so, spreading well beyond Ireland.