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Gaudete by Collegium Vocale Bydgoszcz The first page of the original version. Gaudete (English: / ɡ ɔː ˈ d iː t iː / gaw-DEE-tee or English: / ɡ aʊ ˈ d eɪ t eɪ / gow-DAY-tay, Ecclesiastical Latin: [ɡau̯ˈdete]; "rejoice []" in Latin) [a] is a sacred Christmas carol, thought to have been composed in the 16th century.
The Seven Joys of the Virgin (or of Mary, the Mother of Jesus) is a popular devotion to events of the life of the Virgin Mary, [1] arising from a trope of medieval devotional literature and art. The Seven Joys were frequently depicted in medieval devotional literature and art. The seven joys are usually listed as: The Annunciation; The Nativity ...
The book was written in part as a defense of Marian devotion at a time when it had come under criticism. The book combines numerous citations in favor of devotion to the Blessed Virgin Mary from the Church Fathers and the Doctors of the Church with Saint Alphonsus' own personal views on Marian veneration and includes a number of Marian prayers and practices.
The Seven Joys of Mary (1480), Hans Memling "The Seven Joys of Mary" (Roud # 278) is a traditional carol about Mary's happiness at moments in the life of Jesus, probably inspired by the trope of the Seven Joys of the Virgin in the devotional literature and art of Medieval Europe.
Some hymns to Mary are also included in the Evangelical Lutheran Worship hymnal, e.g. hymn number 251 is "My Soul Proclaims Your Greatness", which is based on the Magnificat and hymn 419 is "For All the Faithful Women" in which the first stanza includes: "We honor faithful Mary, fair maiden, full of grace". [24]
Gnomes, in their literary sense, belong to the dawn of literature, in their naiveté and their simplicity and moralizing. Many of the ethical reflections of the great dramatists, and in particular of Sophocles and Euripides, are gnomic distiches expanded. The ancient Greek gnomes are not all solemn; some are voluptuous and some chivalrous.
These songs are Mary's Magnificat; Zechariah's Benedictus (1:67–79); the angels' Gloria in Excelsis Deo (2:13–14); and Simeon's Nunc dimittis (2:28–32). In form and content, these four canticles are patterned on the "hymns of praise" in Israel's Psalter. In structure, these songs reflect the compositions of pre-Christian contemporary ...
All of Creation rejoices in thee, O full of grace the angels in heaven and the race of men, O sanctified temple and spiritual paradise, the glory of virgins, of whom God was incarnate and became a child, our God before the ages. He made thy body into a throne, and thy womb more spacious than the heavens. All of creation rejoices in thee, O full ...