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African textiles are textiles from various locations across the African continent. Across Africa, there are many distinctive styles, techniques, dyeing methods, and decorative and functional purposes. These textiles hold cultural significance and also have significance as historical documents of African design.
Aso Oke sewn into Agbada outfit and Fila Traditional Yoruba women's garment. Aso oke fabric, (Yoruba: aṣọ òkè, pronounced ah-SHAW-okay) is a hand-woven cloth that originated from the Yoruba people of Yorubaland within today's Nigeria, Benin and Togo.
The intricate designs are of cultural significance, and the embroidery is admired in the art world. That's why this embroidery is regarded as one of the most significant forms of African textile art. Kuba cloth can be found in private collections as well as museums all over the world.
The use of lace dates back to the pre-colonial and colonial era, when it was imported from Europe and Asia which also inspired local Yoruba ones to be made too. Both Imported and Local lace are in use. And so on. Yoruba women's clothing is also an impactful part of the Nigerian culture and the African culture.
The boubou is the traditional female attire in many West African countries including Senegal, Mali and other African countries. The boubou can be formal or informal attire. The formality of the kaftan depends upon the fabric used to create or design it. In Yorubaland, Nigeria, the wrapper is commonly, called an iro in Yoruba, pronounced i-roh ...
The use of the boubou/babban-riga/Kulwu as clothing became widespread among West African Muslims with the migration of Kanuri, Hausa,Fulani and Dyula long-distance traders and Kanuri Islamic preachers in and around Muslim regions of West Africa in the 1400s and even more rapidly in less Islamized areas after the Fulani Jihads of the 19th ...
From the mid-1960s to the late 1970s, imported lace and george were incorporated into Nigerian fabrics and they became popular items used for aso ebi. Increased demand for handcrafted traditional dresses such as agbada led to a resurgence of tailors and fashion designers specializing in making native attires.
Most of the designs are named, with popular ones including the jubilee pattern (first produced for the silver jubilee of George V and Queen Mary in 1935), Olokun ("goddess of the sea"), [14] Sunbebe ("lifting up of the beads") [15] and Ibadandun ("Ibadan is sweet").
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