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The word "cadence" sometimes slightly shifts its meaning depending on the context; for example, it can be used to refer to the last few notes of a particular phrase, or to just the final chord of that phrase, or to types of chord progressions that are suitable for phrase endings in general.
For example, accelerating the tempo or prolonging a note may add tension. A phrase is a substantial musical thought, which ends with a musical punctuation called a cadence. Phrases are created in music through an interaction of melody, harmony, and rhythm. [3]
The English cadence, also known as the Long March, was primarily used in choral music, though it is also present in contemporaneous music for consorts of viols and other instruments. The cadence is found as early as Machaut (c. 1300–1377). [5] The origins of this cadential form are unclear. The end of Tallis's Spem in alium contains an ...
For example, Stewart Macpherson defines a musical sentence as "the smallest period in a musical composition that can give in any sense the impression of a complete statement." [ 1 ] It "may be defined as a period containing two or more phrases, and most frequently ending with some form of perfect cadence ."
Yet, the Andalusian cadence brings about a limit condition for tonal harmony, with a ♭ VII – ♭ VI chord move. [16] The Andalusian is an authentic cadence, because a dominant chord ("V") comes just before the tonic "i". (Using modal harmonies, the third, and not the fourth chord – "♭ II" – acts as the dominant, substituted to tritone ...
In music, a cadenza, (from Italian: cadenza [kaˈdɛntsa], meaning cadence; plural, cadenze [kaˈdɛntse]) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display.
Period built of two five-bar phrases in Haydn's Feldpartita in B ♭, Hob. II:12. [1] Diagram of a period consisting of two phrases [2] [3] [4]. In music theory, a phrase (Greek: φράση) is a unit of musical meter that has a complete musical sense of its own, [5] built from figures, motifs, and cells, and combining to form melodies, periods and larger sections.
A Landini cadence (Landini sixth or Landini sixth cadence), or under-third cadence, [4] is a type of cadence, a technique in music composition, named after Francesco Landini (1325–1397), an influential Italian composer, in honor of his extensive use of the technique. The technique was used extensively in the 14th and early 15th century.