Search results
Results from the WOW.Com Content Network
"Ukulele Lesson" 78 rpm disc label. Breen is credited with convincing publishers to include ukulele chords on their sheet music.The Tin Pan Alley publishers hired her to arrange the chords and her name is on hundreds of examples of music from the 1920s on. [6]
A female ensemble version of "I'm a Woman" was included in 1995's Leiber & Stoller-themed musical revue Smokey Joe's Cafe. Brian May recorded a version with English band Woman and Kerry Ellis in 2020 as a charity single to help Breast Cancer Awareness Month. May also produced the single.
I'm a Woman may refer to: I'm a Woman (Peggy Lee album) (1963) I'm a Woman (Elisabeth Andreassen album) (1983) I'm a Woman (Shannon Bex album) (2012)
I'm a Woman is an album by Peggy Lee that was released in 1963. [1] It was made when the title song was in the charts. [1] Track listing
"Fool, I'm a Woman" is a song co-written and recorded by American country music singer Sara Evans. It was released in April 1999 as the third single from her album No Place That Far. The song reached No. 32 on the Billboard Hot Country Singles & Tracks chart. [1] Evans wrote the song with Matraca Berg, and Martina McBride provides backing ...
The album's only single, "Just Because I'm a Woman", was released in May 1968 [1] and debuted at number 46 on the Billboard Hot Country Songs chart dated June 29. It peaked at number 17 on the chart dated September 14, its twelfth week on the chart. The single charted for a total of 14 weeks.
"I Got a Woman" (originally titled "I've Got a Woman") [1] is a song co-written and recorded by American R&B and soul musician Ray Charles. Atlantic Records released the song as a single in December 1954, with "Come Back Baby" as the B-side. Both songs later appeared on the 1957 album Ray Charles (subsequently reissued as Hallelujah I Love Her So).
Major Thirds (3–3–3–3): four symmetrical groups of notes a major third apart (3 notes per group) (Note that the whole tone scale (6–6) color scheme by itself is not very practical for the Wicki–Hayden layout since this pattern is already the basis for the physical layout of the keys—each row is a whole tone scale.