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Infrasound arrays at monitoring station in Qaanaaq, Greenland.. Infrasound, sometimes referred to as low frequency sound or subsonic, describes sound waves with a frequency below the lower limit of human audibility (generally 20 Hz, as defined by the ANSI/ASA S1.1-2013 standard). [1]
WSPR implements a protocol designed for probing potential propagation paths with low-power transmissions. Transmissions carry a station's callsign, Maidenhead grid locator, and transmitter power in dBm. The program can decode signals with a signal-to-noise ratio as low as −28 dB in a 2.5 kHz bandwidth. [2]
A signal generator is one of a class of electronic devices that generates electrical signals with set properties of amplitude, frequency, and wave shape. These generated signals are used as a stimulus for electronic measurements, typically used in designing, testing, troubleshooting, and repairing electronic or electroacoustic devices, though it often has artistic uses as well.
Various harmonics can be amplified or modulated, although it is most common to boost the fundamental frequency's lower octave. The kick drum can benefit greatly from this type of processing. A subharmonic synthesizer (or "synth" as it is known in the industry) creates a bigger presence and can give the music that much sought-after "punch".
Frequency modulation synthesis (or FM synthesis) is a form of sound synthesis whereby the frequency of a waveform is changed by modulating its frequency with a modulator. The (instantaneous) frequency of an oscillator is altered in accordance with the amplitude of a modulating signal. [1] FM synthesis can create both harmonic and inharmonic sounds.
A programmable sound generator (PSG) is a sound chip that generates (or synthesizes) audio wave signals built from one or more basic waveforms, and often some kind of noise. PSGs use a relatively simple method of creating sound compared to other methods such as frequency modulation synthesis or pulse-code modulation .
Low-frequency oscillation (LFO) is an electronic frequency that is usually below 20 Hz and creates a rhythmic pulse or sweep. This is used to modulate musical equipment such as synthesizers to create audio effects such as vibrato , tremolo and phasing .
It is designed to mimic the tone generated by a typical radio receiver when a CW signal is converted to the intermediate frequency (IF), then mixed with the Beat frequency oscillator (BFO) frequency to generate a difference frequency, which is audible over the radio receiver loudspeaker or headphones.