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Glyptics or glyptic art covers the field of small carved stones, including cylinder seals and inscriptions, especially in an archaeological context. Though they were keenly collected in antiquity, most carved gems originally functioned as seals , often mounted in a ring; intaglio designs register most clearly when viewed by the recipient of a ...
Holly Pittman is a Near Eastern art historian and archaeologist, and an expert in Near Eastern glyptic art.She is the Bok Family Professor in the Humanities and a Professor in the History of Art Department of the University of Pennsylvania and serves as a curator in the Near East Section of the University of Pennsylvania Museum of Archaeology and Anthropology.
The main raw materials are citrine, topaz, carnelian, morion and other hard gemstones. [7] In the middle of the 1990s Nikitenko started working on restoring of the traditions of the Christian glyptic, [ 8 ] which was developed in Byzantine Empire and was also spread in Kievan Rus' . [ 9 ]
Mughal dagger hilt in jade with gold, rubies, and emeralds.. Hardstone carving, in art history and archaeology, is the artistic carving of semi-precious stones (and sometimes gemstones), such as jade, rock crystal (clear quartz), agate, onyx, jasper, serpentinite, or carnelian, and for objects made in this way.
Glyptic art: Rakic, Yelena 2003. The Contest Scene in Akkadian Glyptic: A Study of its imagery and function within the Akkadian empire. PhD thesis, University of Pennsylvania. Collon, D. Catalogue of the Western Asiatic Seals in the British Museum: Cylinder Seals, vol 2 Akkadian and Ur III. Boehmer, Rainer Michael 1965.
The inscription mentions no religion besides Christianity, which researchers said is unusual. Up until the 5th century, these kind of amulets "always contain a mixture of different faiths," such ...
Landmarks of the World's Art, The Ancient World, by Giovanni Garbini, (McGraw-Hill Book Company, New York, Toronto), General Eds, Bernard S. Myers, New York, Trewin Copplestone, London, c 1966. "Discussion, or pictures of about 25 cylinder seals"; also lists the "Scaraboid seal", an impression seal (needs to be a mirror/reverse to be an ...
The seal is noted for its exceptionally fine and elaborate engraving, and considered "the single best work of glyptic art ever recovered from the Aegean Bronze Age". [2] The quality of the work anticipates later developments as far ahead as the Classical era of a millennium later.
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