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In 2012, it was shortened to Best Jazz Instrumental Album, encompassing albums that previously fell under the categories Best Contemporary Jazz Album and Best Latin Jazz Album (both defunct as of 2012). [1] A year later, the Best Latin Jazz Album category returned, disallowing albums in that category to be nominated for Best Jazz Instrumental ...
Pages in category "Grammy Award for Best Jazz Instrumental Album" The following 56 pages are in this category, out of 56 total. This list may not reflect recent changes .
Mercy, Mercy, Mercy! Live at "The Club" is a 1967 live in-studio album by The Cannonball Adderley Quintet, the jazz group formed by musician Cannonball Adderley. [2] It received the Grammy Award for Best Instrumental Jazz Performance – Group or Soloist with Group in 1967, [3] and was added to the Grammy Hall of Fame in 2021.
Money Jungle: Provocative in Blue was released by Concord Jazz on February 25, 2013. [7] It won the 2013 Grammy Award for Best Jazz Instrumental Album. [8]The Down Beat reviewer wrote that the presence of guests reduced the focus of the album, and commented that the trio tracks were more successful. [5]
The performing artist does not receive a Grammy, except if they are also the arranger. There have been several minor changes to the name of the award: From 1963 to 1981 the award was known as Best Instrumental Arrangement; From 1982 to 1983 it was awarded as Best Arrangement on an Instrumental Recording
Grammy Award for Best Jazz Vocal Performance, Male (9 P) Pages in category "Grammy Awards for jazz" The following 8 pages are in this category, out of 8 total.
From 1963 to 1964 and from 1967 to 1970 it was awarded as Best Instrumental Theme; In 1965 it was awarded as Best Instrumental Composition (other than jazz) From 1971 to the present it has been awarded as Best Instrumental Composition; Years reflect the year in which the Grammy Awards were presented, for works released in the previous year.
The album received the Grammy Award for Best Instrumental Jazz Performance, Individual or Group in 2000 and reached Number 12 on the Billboard Top Jazz Albums chart. [1]In his AllMusic review, David R. Adler calls the album "a knockout," saying the quartet "deftly [executes] a dizzying series of tempo shifts and subtle cues, all seamlessly worked into a fabric of extended, burning improvisation."