Search results
Results from the WOW.Com Content Network
A flute concerto is a concerto for solo flute and instrumental ensemble, customarily the orchestra. Such works have been written from the Baroque period, when the solo concerto form was first developed, up through the present day.
The concerto comprises 3 movements (Allegro, Andante, and Allegro scherzando), and was first performed in 1934 in Paris at the Société des Concerts du Conservatoire. The piece was dedicated to Marcel Moyse , and features flute as the soloist lead instrument, along with small orchestra.
The work features a highly florid flute section, a rather uncommon phenomenon at the time as the flute was both a new instrument in France and seen as more so a background instrument in late-19th century orchestration. Thus, the fact that it plays a leading role makes this concerto a rarity and one of the early examples of the flute gaining a ...
Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Help; Learn to edit; Community portal; Recent changes; Upload file
The Concerto for Flute and Orchestra was written by Josef Reicha in 1781, shortly after he went on a Grand Tour in the mid to late 1770s. [1] Though the work was composed in 1781, far beyond the date music historians have deemed as the beginning of the classical era, it displays many characteristics of the galant musical style characteristic of the pre-classical post-Baroque music of the ...
Johann Joachim Quantz (German:; 30 January 1697 – 12 July 1773) was a German composer, flutist and flute maker of the late Baroque period.Much of his professional career was spent in the court of Frederick the Great.
The Flute Concerto has been praised by music critics. Reviewing the North American premiere of the piece, Jeremy Eichler of The Boston Globe wrote: Many hallmark Carter gestures can still be heard in the pointy and mercurial orchestral writing, the taut and rapid interplay between soloist and ensemble, and the kind of sharp-edged virtuosity demanded of the soloist at certain points.
The concerto is cast in four short movements that follow a slow–fast–slow–fast structure reminiscent of the 17th-century Italian sonata da chiesa. [2] Although tonally adventurous, [ 10 ] the work is notable for its melodic simplicity and lack of gratuitous virtuosity, which sets it apart from the Romantic tradition of showy concertos.