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Tetraphobia is known to occur in Korea and Japan since the two words sound identical, but not at all in Vietnam because they carry different tones (in the case of the word for "four", whether it is the Sino-Vietnamese reading tứ or the more common non-Sino-Vietnamese reading tư, neither sounds like the word for "death" which is tử) and ...
Breaking a mirror is said to bring seven years of bad luck [1]; A bird or flock of birds going from left to right () [citation needed]Certain numbers: The number 4.Fear of the number 4 is known as tetraphobia; in Chinese, Japanese, and Korean languages, the number sounds like the word for "death".
Other superstitions relate to the literal meanings of words. Another significant part of Japanese superstition has its roots in Japan's ancient pagan, animist culture and regards certain natural things as having kami. Thus, many Japanese superstitions involve beliefs about animals and depictions of animals bringing about good or bad fortune. [3]
The English suffixes -phobia, -phobic, -phobe (from Greek φόβος phobos, "fear") occur in technical usage in psychiatry to construct words that describe irrational, abnormal, unwarranted, persistent, or disabling fear as a mental disorder (e.g. agoraphobia), in chemistry to describe chemical aversions (e.g. hydrophobic), in biology to describe organisms that dislike certain conditions (e.g ...
This Japanese compound kotodama combines koto 言 "word; speech" and tama 霊 "spirit; soul" (or 魂 "soul; spirit; ghost") voiced as dama in rendaku.In contrast, the unvoiced kototama pronunciation especially refers to kototamagaku (言霊学, "study of kotodama"), which was popularized by Onisaburo Deguchi in the Oomoto religion.
A superstition is "a belief or practice resulting from ignorance, fear of the unknown, trust in magic or chance, or a false conception of causation" or "an irrational abject attitude of mind toward the supernatural, nature, or God resulting from superstition."
Yobai (Japanese: 夜這い, "night crawling") was a Japanese custom usually practiced by young unmarried people. It was once common all over Japan and was practiced in some rural areas until the beginning of the Meiji era and even into the 20th century.
Onryō (怨霊) is a Japanese ghost who is able to return to the physical world in order to seek vengeance. While male onryō can be found, mainly in kabuki theatre, the majority are women, powerless in the physical world, they often suffer at the capricious whims of their male lovers. In death they become strong.