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Gloucester Cathedral offers a good example of lierne vaulting. In France, examples occur in Flamboyant architecture, such as in the Church of Saint-Pierre in Caen. The vault-plan diagram of Ely Choir shows the ribs as double lines. The main longitudinal ridge rib (middle vertical lines) and transverse ridge ribs (alternate horizontal lines ...
The plans for certain parts were sometimes drawn or inscribed in full scale on the floor in the crypt or other portion of the worksite, where they could be easily consulted. [8] [page needed] [9] The original plans of Prague Cathedral were rediscovered in the 19th century and were used to complete the building. [7]
Gothic rib vault ceiling of the Saint-Séverin church in Paris Interior elevation view of a Gothic cathedral, with rib-vaulted roof highlighted. In architecture, a vault (French voûte, from Italian volta) is a self-supporting arched form, usually of stone or brick, serving to cover a space with a ceiling or roof.
The cathedral houses an unparalleled collection of medieval stained glass—nearly 28,000 square feet of jewel-toned windows that have miraculously survived the centuries, including three ...
The highest medieval stone vault in England is at Westminster Abbey at 102 feet (31 m), [5] that at York Minster being of the same height but despite its appearance, not actually of stone, but wood. The majority of English cathedrals have vaults ranging in height from 20 to 26 metres (66 to 85 ft). [2]
A pattern of three stages—vault, arcade and clerestory—was established in the 11th century. [9] Masonry vaults were preferred for larger churches, and were initially barrel or groin vaults, often with arches spanning the nave between the vaults. Vaulted bays are square. [9] The earliest ribbed high vault in France is at Saint-Etienne, Caen ...
Medieval architecture was the art and science of designing and constructing buildings in the Middle Ages. The major styles of the period included pre-Romanesque , Romanesque , and Gothic . In the fifteenth century, architects began to favour classical forms again, in the Renaissance style , marking the end of the medieval period.
The construction of a medieval rib vault was a complex operation involving a team of specialized workers. The masons included hewers (French: taileurs), who cut the stone; poseurs, who set the stones in place; and layers (morteliers), who joined the pieces together with mortar. These craftsmen worked alongside carpenters who built the complex ...