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Japanese aesthetics. Japanese aesthetics comprise a set of ancient ideals that include wabi (transient and stark beauty), sabi (the beauty of natural patina and aging), and yūgen (profound grace and subtlety). [1] These ideals, and others, underpin much of Japanese cultural and aesthetic norms on what is considered tasteful or beautiful.
Wabi-sabi is a composite of two interrelated aesthetic concepts, wabi (侘) and sabi (寂). According to the Stanford Encyclopedia of Philosophy, wabi may be translated as "subdued, austere beauty," while sabi means "rustic patina." [6] Wabi-sabi is derived from the Buddhist teaching of the three marks of existence (三法印, sanbōin ...
Japanese interior design has a unique aesthetic derived from Shinto, Taoism, Zen Buddhism, world view of wabi-sabi, specific religious figures and the West. This aesthetic has in turn influenced Western style, particularly Modernism .
Sukiya-zukuri (数寄屋造り) is one type of Japanese residential architectural style. Suki (ateji: 数寄 or 数奇) means refined, well cultivated taste and delight in elegant pursuits, [1] and refers to enjoyment of the exquisitely performed tea ceremony. The word originally meant a small structure for the Japanese tea ceremony (known as a ...
Created. 17th Century. The Katsura Imperial Villa (桂離宮, Katsura Rikyū), or Katsura Detached Palace, is an Imperial residence with associated gardens and outbuildings in the western suburbs of Kyoto, Japan. Located on the western bank of the Katsura River in Katsura, Nishikyō-ku, the Villa is 8km distant from the main Kyoto Imperial Palace.
Aestheticism. The Peacock Room, designed in the Anglo-Japanese style by James Abbott McNeill Whistler and Edward Godwin, one of the most famous and comprehensive examples of Aesthetic interior design. Aestheticism (also known as the aesthetic movement) was an art movement in the late 19th century that valued the appearance of literature, music ...
From the mid‑1960s onwards, Kuramata began exploring materials and forms through his unique designs. His work merged popular culture, Japanese aesthetic concepts, and the Western avant‑garde. [2] At the end of the 1980s, Kuramata was invited by Ettore Sottsass to be a founding member of the Italian design collaborative Memphis Group. [1] [2]
A tatami room surrounded by paper shoji (paper outside, lattice inside). The shoji are surrounded by an engawa (porch/corridor); the engawa is surrounded by garasu-do, all-glass sliding panels. A shoji (障 しょう 子 じ, Japanese pronunciation: [ɕo: (d)ʑi]) is a door, window or room divider used in traditional Japanese architecture ...
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