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As both "neo-bop" and "post-bop" refer to eclectic mixtures of styles from the bebop and post-bebop eras, the precise differences in musical style between the two are not clearly defined from an academic standpoint. [citation needed] In the United States, Wynton Marsalis and "The Young Lions," for example, have been associated with neo-bop and ...
Bebop or bop is a style of jazz characterized by a fast tempo, instrumental virtuosity, and improvisation based on a combination of harmonic structure and occasional references to the melody. 1940s -> Big band: Big band is a type of musical ensemble, in essence a jazz orchestra, that typically consists of at least ten musicians and four sections.
Neo-bop as a subgenre emerged within jazz during the early 1980s. This list is derived from All Music [ 1 ] and may contain inaccuracies. In addition the source indicates most or all these musicians work in others genres as well with Post-bop and Hard bop being most common.
This is a list of English words inherited and derived directly from the Old English stage of the language. This list also includes neologisms formed from Old English roots and/or particles in later forms of English, and words borrowed into other languages (e.g. French, Anglo-French, etc.) then borrowed back into English (e.g. bateau, chiffon, gourmet, nordic, etc.).
Music – art and cultural form whose medium is sound and silence. Its common elements are pitch (which governs melody and harmony), rhythm (and its associated concepts tempo, meter, and articulation), dynamics, and the sonic qualities of timbre and texture. The word derives from Greek μουσική (mousike; "art of the Muses").
The term "lala bop" has surfaced on social media and is being used primarily by teens to bully others online, leaving parents to ask: What does lala bop mean?
A Dixieland revival began in the United States on the West Coast in the late 1930s as a backlash to the Chicago style, which was close to swing. Lu Watters and the Yerba Buena Jazz Band, and trombonist Turk Murphy, adopted the repertoire of Joe "King" Oliver, Jelly Roll Morton, Louis Armstrong and W. C. Handy: bands included banjo and tuba in the rhythm sections.
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