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I, a Woman (original Danish: Jeg - en kvinde) is a 1965 black-and-white Danish-Swedish erotic film whose break-through popularity helped initiate a wave of sexploitation films into mainstream American theaters in the late 1960s, [2] and inspired Andy Warhol to write and direct his feature-length experimental film version I, a Man.
Stack called it "a love story, in the genre of A Man and a Woman with its own kind of style. The role is a real departure for me, my first unabashedly romantic story. When I saw daily footage I saw a character I'd never seen on film before - me." [3] James Farentino joined the cast in February 1968. [4] Filming began in March 1968 in Stockholm. [5]
Smash-Up, the Story of a Woman, also called A Woman Destroyed, [2] is a 1947 American drama film with elements of film noir that tells the story of a rising nightclub singer who marries another singer and becomes an alcoholic after sacrificing her career for him. The film starred Susan Hayward, Lee Bowman, Eddie Albert and Marsha Hunt.
The young woman Julie falls in love with the famous writer Max Oliver, who has just published a bestseller about his deceased wife, the beautiful mysterious Lucia. Julie wants to ease Max's grief and accompany him to Italy to live with him. After a short time, Julie's interest in Lucia turns into a fierce obsession.
Let Me Die a Woman is a 1978 semidocumentary film concerning the lives of transgender people, directed and produced by the exploitation film auteur Doris Wishman. [ 1 ] Plot
Shortly after arriving in California, she went to a convenience store and heard a man preaching in the parking lot. The second time she saw him, the pair exchanged numbers and quickly started dating.
Its lyrics echo the film's love story: "And I'm right by your side/ Like a thief in the night/ I stand in front of a masterpiece/ And I can't tell you why it hurts so much to be in love with a masterpiece." [43] The song plays over W.E. 's end credits and was later included on Madonna's album, MDNA. [42]
The crusade against “Gender Queer” has largely driven its popularity and increased the size of Kobabe's royalty checks. The memoir has sold more than 96,000 copies and has been translated into ...