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Honolulu Museum of Art: The Holy Family with Saint John the Baptist in a Classical Landscape: c.1650: oil on canvas: Private collection Henrietta of England (1644–1670) 1650-1675: Oil on canvas: 79 × 63: Palace of Versailles: Henri de Forbin-Maynier, baron d'Oppède: 1657: Oil on canvas: 122.5 × 100: Fondation Calvet: Molière: c.1658: Oil ...
Pages in category "Paintings of the Death of the Virgin" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes .
The Seven Sorrows Polyptych is an oil on panel painting by Albrecht Dürer. The painting includes a central picture (108 x 43 cm), now in the Alte Pinakothek in Munich , and seven surrounding panels (measuring some 60 x 46 cm) which are exhibited at the Gemäldegalerie Alte Meister of Dresden .
Articles relating to the Seven Sorrows of Mary, events in the life of Mary, mother of Jesus that are a popular devotion and are frequently depicted in art. Subcategories This category has the following 4 subcategories, out of 4 total.
Pages in category "Paintings in the Palace of Versailles" The following 44 pages are in this category, out of 44 total. This list may not reflect recent changes .
As Mater Dolorosa, it is also a key subject for Marian art in the Catholic Church. The Seven Sorrows of Mary are a popular religious theme and a Catholic devotion. In common imagery, the Virgin Mary is portrayed sorrowful and in tears, with one or seven swords piercing her heart, iconography based on the prophecy of Simeon in Luke 2:34–35.
Painting Titian: Venus and Cupid with a Satyr: Painting Antonio da Correggio: Susanna and the Elders: Painting Tintoretto: La Bella Nani: Painting Paolo Veronese: The Wedding at Cana: Painting Paolo Veronese: Death of the Virgin: Painting Caravaggio: Portrait of Alof de Wignacourt and his Page: Painting Caravaggio: The Fortune Teller: Painting ...
Caravaggio's painting is the last major Catholic work of art in which Mary is clearly dead. Caravaggio does not depict an assumption but her death. The figure, like that in nearly all Renaissance and Baroque Assumptions, looks much younger than a woman some 50 or more years old; [ d ] medieval depictions of the death were often more realistic ...