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Limoges porcelain boxes were first created in the mid-18th century after Jacques Turgot, Finance Minister of King Louis XVI, gave a Royal edict to the city of Limoges, France the exclusive right to produce Royal Limoges porcelain for the Kingdom of France. The first Limoges trinket boxes were long narrow containers that were created for ...
Some of the most expensive are French and German 18th century examples, and the record auction price for a German box is £789,250 (about US$1.3 million), bid in 2003 at Christie's in London. Modern snuff boxes are made from a variety of woods, pewter and even plastic and are manufactured in surprising numbers due, largely, to snuff's ...
Limoges enamel was usually applied on a copper base, but also sometimes on silver or gold. [5] Preservation is often excellent due to the toughness of the material employed, [5] and the cheaper Limoges works on copper have survived at a far greater rate than courtly work on precious metals, which were nearly all recycled for their materials at some point.
Writing lacquer box with Irises at Yatsuhashi, by Ogata Kōrin, Edo period (National Treasure) Inro in maki-e lacquer, Edo period, 18th century. Lacquerware (漆器, shikki) is a Japanese craft with a wide range of fine and decorative arts, as lacquer has been used in urushi-e, prints, and on a wide variety of objects from Buddha statues to bento boxes for food.
A chasse, châsse or box reliquary is a shape commonly used in medieval metalwork for reliquaries and other containers. To the modern eye the form resembles a house, though a tomb or church was more the intention, [ 1 ] with an oblong base, straight sides and two sloping top faces meeting at a central ridge, often marked by a raised strip and ...
Copper was probably the first metal mined and crafted by humans. [8] It was originally obtained as a native metal and later from the smelting of ores. Earliest estimates of the discovery of copper suggest around 9000 BC in the Middle East. It was one of the most important materials to humans throughout the Chalcolithic and Bronze Ages.
Most Byzantine and early medieval pieces analysed are silver-copper, while silver-copper-lead pieces appear from about the 11th century onwards. [ 33 ] The Mappae clavicula of about the 9th century, Theophilus Presbyter (1070–1125) and Benvenuto Cellini (1500–1571) give detailed accounts, using silver-copper-lead mixtures with slightly ...
Transfer printing is a method of decorating pottery or other materials using an engraved copper or steel plate from which a monochrome print on paper is taken which is then transferred by pressing onto the ceramic piece. [1] Pottery decorated using this technique is known as transferware or transfer ware.
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