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Contents. Cernunnos. In ancient Celtic and Gallo-Roman religion, Cernunnos or Carnonos is a god depicted with antlers, seated cross-legged, and is associated with stags, horned serpents, dogs and bulls. He is usually shown holding or wearing a torc and sometimes holding a bag of coins (or grain) and a cornucopia. [ 1 ]
Rosmerta - Gallic goddess of fertility and abundance. Sabrina - Brittonic goddess of the River Severn. Seixomniai Leuciticai - a Celtic goddess, equated with Diana [16] Senuna - a Brittonic goddess. Sequana - Gallic goddess of the River Seine. Sirona - Gallic goddess of healing. Suleviae - a triune mother goddess.
The hypothetical nominative form of the name, *Danu, is not found in any medieval Irish text, but is rather a reconstruction by modern scholars based on the genitive Danann (also spelled Donand or Danand), which is the only form attested in the primary sources (e.g. in the collective name of the Irish gods, Tuatha dé Danann "Tribe / People of Danu").
Lugh is given the matriname mac Ethlenn or mac Ethnenn ("son of Ethliu or Ethniu", his mother) and the patriname mac Cein ("son of Cian", his father). [3] He is the maternal grandson of the Fomorian tyrant Balor, whom Lugh kills in the Battle of Mag Tuired. Lugh's son is the hero Cú Chulainn, who is believed to be an incarnation of Lugh. [43] [44]
A staple of Insular art, the Celtic cross is essentially a Latin cross with a nimbus surrounding the intersection of the arms and stem. Scholars have debated its exact origins, but it is related to earlier crosses featuring rings. The form gained new popularity during the Celtic Revival of the 19th century; the name "Celtic cross" is a ...
From The Mabinogion, translated by Lady Charlotte Guest, 1877. Rhiannon (/ ˈriːænən /) is a major figure in Welsh mythology, appearing in the First Branch of the Mabinogi, and again in the Third Branch. Ronald Hutton called her "one of the great female personalities in World literature ", adding that "there is in fact, nobody quite like her ...
Pre-Roman Celtic art produced few images of deities, and these are hard to identify, lacking inscriptions, but in the post-conquest period many more images were made, some with inscriptions naming the deity. Most of the specific information we have therefore comes from Latin writers and the archaeology of the post-conquest period.
Celtic knots (Irish: snaidhm Cheilteach, Welsh: cwlwm Celtaidd, Cornish: kolm Keltek, Scottish Gaelic: snaidhm Ceilteach) are a variety of knots and stylized graphical representations of knots used for decoration, used extensively in the Celtic style of Insular art. These knots are most known for their adaptation for use in the ornamentation of ...
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