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Fontana dei Quattro Fiumi (Fountain of the Four Rivers) is a fountain in the Piazza Navona in Rome, Italy.It was designed in 1651 by Gian Lorenzo Bernini for Pope Innocent X whose family palace, the Palazzo Pamphili, faced onto the piazza as did the church of Sant'Agnese in Agone of which Innocent was the sponsor.
The Quattro Fontane [1] (the Four Fountains) is an ensemble of four Late Renaissance fountains located at the intersection of Via delle Quattro Fontane and Via del Quirinale in Rome. They were commissioned by Pope Sixtus V and built at the direction of Muzio Mattei , and were installed between 1588 and 1593.
Fountain of the Four Rivers Fontana dei Quattro Fiumi Fontana del Moro, on the southern end. The space currently occupied by the Piazza Navona was originally the Stadium of Domitian, built by Emperor Titus Flavius Domitianus in 80 AD. Following the Fall of the Western Roman Empire, the stadium fell into ruin, being quarried for building ...
Fontana del Tritone (1642). Fountains of St. Peter's Square by Carlo Maderno (1614) and Bernini (1677). Fontana dei Quattro Fiumi by Gian Lorenzo Bernini (1648-51); detail of the River Ganges Fountain in front of Villa Medici on the Pincio. This is a list of the notable fountains in Rome, Italy. Rome has fifty monumental fountains and hundreds ...
Erected on top of the Fontana dei Quattro Fiumi by Bernini in 1651. Quirinale: Piazza del Quirinale: 14.63 m (28.94 m) Originally erected on the eastern flank of the Mausoleum of Augustus, paired with the Esquiline obelisk. Found in 1527.
FRANKFURT (Reuters) - Climate activists sprayed orange and yellow paint on the columns of Berlin's landmark Brandenburg Gate on Sunday to push demands for a stop to the use of fossil fuels by 2030.
Fountain of Neptune, Piazza Navona (Rome) The restoration of the Roman Aqua Virgo aqueduct in 1570 was immediately followed by the start of work on a continuation water supply pipe towards the district of the old Campo Marzio, which following the diminution of the city's size and importance was left as the most densely populated part of the city.
Baroque sculpture often had multiple ideal viewing angles, and reflected a general continuation of the Renaissance move away from the relief to sculpture created in the round, and designed to be placed in the middle of a large space—elaborate fountains such as Gian Lorenzo Bernini‘s Fontana dei Quattro Fiumi (Rome, 1651), or those in the ...