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Chinoiserie entered European art and decoration in the mid-to-late 17th century; the work of Athanasius Kircher influenced the study of Orientalism.The popularity of chinoiserie peaked around the middle of the 18th century when it was associated with the Rococo style and with works by François Boucher, Thomas Chippendale, and Jean-Baptist Pillement.
By the late 18th century, imports from China had declined [28] due to changing tastes and competition from new European factories, which used mass-production. [29] Highly decorative Canton porcelain was produced throughout the 19th century, but the quality of wares waned.
Meissen porcelain or Meissen china was the first European hard-paste porcelain. Early experiments were done in 1708 by Ehrenfried Walther von Tschirnhaus . After his death that October, Johann Friedrich Böttger continued von Tschirnhaus's work and brought this type of porcelain to the market, financed by Augustus the Strong, King of Poland and ...
Famille rose porcelain from the 18th century can have a green tint, a brown rim, and may be pitted with many pinholes. [17] Famille rose enamels were known to have been used in Europe before such wares were exported from China, for example in Vienna porcelain made by the Du Paquier factory in 1725. [1]
Different shapes in a Willow pattern, 19th century. The Willow pattern is a distinctive and elaborate chinoiserie pattern used on ceramic tableware. It became popular at the end of the 18th century in England when, in its standard form, it was developed by English ceramic artists combining and adapting motifs inspired by fashionable hand ...
The decorative famille rose patterns used in export wares may be differentiated by the following terms: Rose Canton which is decorated with flowers, birds and insects but with no human figures; Rose Mandarin with human figures as the main subject and introduced in the late 18th century; and Rose Medallion which has different panels that may be ...
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