Search results
Results from the WOW.Com Content Network
Vietnamese art is visual art that, whether ancient or modern, originated in or is practiced in Vietnam or by Vietnamese artists. Vietnamese art has a long and rich history, the earliest examples of which date back as far as the Stone Age around 8,000 BCE. [1] With the millennium of Chinese domination starting in the 2nd century BC, Vietnamese ...
The Vietnam War had a profound impact on Vietnamese music, inspiring many protest songs and influencing the development of modern Vietnamese music, the introduction of rock came with use of electric guitars to create more aggressive sound on the songs. The main genres that were common in this period were the rock ,folk and soul.
Hát chầu văn (Vietnamese: [háːt cə̂w van], chữ Nôm: 喝朝文), or in secular form hát văn (喝文), [1] is a traditional folk art of northern Vietnam which combines trance singing and dancing. [2] Its music and poetry are combined with a variety of instruments, rhythms, pauses, and tempos.
Vietnamese music varies slightly in the three regions: North, Central, and South. Northern classical music is Vietnam's oldest and is traditionally more formal. Vietnamese classical music can be traced to the Mongol invasions, when the Vietnamese captured a Chinese opera troupe. Central classical music shows the influences of Champa culture ...
After the Geneva Accords were signed in July 1954, Vietnam was divided into the Democratic Republic of Vietnam (DRV, North Vietnam) and the Republic of Vietnam (RVN, South Vietnam). [11] In the period between 1954 and 1975, North Vietnamese war artists produced a multitude of art works aimed at documenting people, locations and events of the ...
Chèo is a form of generally satirical musical theatre, often encompassing dance, traditionally performed by Vietnamese peasants in northern Vietnam. It is usually performed outdoors by semi-amateur touring groups, stereotypically in a village square or the courtyard of a public building, although it is today increasingly also performed indoors and by professional performers.
Analyzing music related works by the artist, the art historian Iola Lenzi asserts, that “in the 1990s Vu Dan Tan’s persistent incorporation of music or music’s features into his visual practice, and the way in which Tan mined sound’s formlessness and conceptual properties, was unknown in Southeast Asian art at that time, showing Vu Dan ...
The music from this moment reaches Vietnamese living outside of Vietnam, signalling the phenomenon of "Vietnam's music invasion." [ 28 ] Interestingly, more diasporic Vietnamese singers were brave enough to return to their adoring fans in Vietnam, bearing being labelled as a communist by the overseas community.