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Ru ware, Ju ware, or "Ru official ware" (Chinese: 汝瓷) is a famous and extremely rare type of Chinese pottery from the Song dynasty, produced for the imperial court for a brief period around 1100. Fewer than 100 complete pieces survive, though there are later imitations which do not entirely match the originals.
The Bretby Art Pottery 'Sunburst' trademark A Bretby 'Clanta' ware vase (ca 1895) in Indianapolis Museum of Art. Bretby Art Pottery was an art pottery studio founded in 1882 by Henry Tooth and William Ault in Woodville, Derbyshire, where production began on 25 October 1883.
The collection concentrates on pieces in the "Chinese taste" rather than export ware, and on Imperial porcelain, much of it Jingdezhen ware. It includes examples of the rare Ru and Guan wares and two important Yuan dynasty blue and white porcelain temple vases (the "David Vases"), the oldest dated blue and white porcelain pieces, from 1351. [2]
“I saw this vase, and I assumed it was like a tourist reproduction,” Anna Lee Dozier told The Independent Thrift store shopper bought an ‘old-ish’ vase for $3.99. It turned out to be a ...
New Art Ware Jardinière. c1903 (200 mm tall) Brown metallic finish Vase. 1924 (195 mm tall) Osborne Ware Jug with Pewter tilting cover. c1915 (190 mm tall) Turquoise and Cream Blossom Decoration Vases with combed glaze finish. 1915 & 1923(150 mm tall) Princess Ware Teaset.
Neoclassical "Black Basalt" Ware vase by Wedgwood, c. 1815 AD, imitating "Etruscan" and Greek vase painting style. The Etruria Works was a ceramics factory opened by Josiah Wedgwood in 1769 in a district of Stoke-on-Trent, Staffordshire, England, which he named Etruria. The factory ran for 180 years, as part of the wider Wedgwood business.
China painting, or porcelain painting, [a] is the decoration of glazed porcelain objects, such as plates, bowls, vases or statues. The body of the object may be hard-paste porcelain , developed in China in the 7th or 8th century, or soft-paste porcelain (often bone china ), developed in 18th-century Europe.
These early products bore an incised triangle mark. Most of the wares were white and were strongly influenced by silverware designs. [16] The early body was "a very translucent material, resembling milk-white glass", [17] later changing "to a harder and rather colder-looking material". [18]
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