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Music theory as a practical discipline encompasses the methods and concepts that composers and other musicians use in creating and performing music. The development, preservation, and transmission of music theory in this sense may be found in oral and written music-making traditions, musical instruments, and other artifacts.
The Theory and Technique of Electronic Music (2007) Max (software), Pure Data: Philip Ewell: born 1966 Music Theory and the White Racial Frame (2020) Race in music, Russian and twentieth century music, as well as rap and hip hop [218] Ellie Hisama: Gendering Musical Modernism: The Music of Ruth Crawford, Marion Bauer, and Miriam Gideon (2007)
David Benjamin Lewin (July 2, 1933 – May 5, 2003) was an American music theorist, music critic and composer.Called "the most original and far-ranging theorist of his generation", [1] he did his most influential theoretical work on the development of transformational theory, which involves the application of mathematical group theory to music.
In theory, "music history" could refer to the study of the history of any type or genre of music, such as the music of India or rock music. In practice, these research topics are more often considered within ethnomusicology and "historical musicology" is typically assumed to imply Western Art music of the European tradition.
The process of interpreting musical notation is often referred to as reading music. Distinct methods of notation have been invented throughout history by various cultures. Much information about ancient music notation is fragmentary. Even in the same time frames, different styles of music and different cultures use different music notation methods.
Narrowly it may be defined as the description in words of elements of music, and the interrelationship toward the notation of music and performance practice. Broadly, theory may be considered any statement, belief, or concept of the music (Boretz, 1995). Thus academic study of music is called musicology.
The first volume was written in Latin and divided into two parts, published separately. The first part, "on sacred or ecclesiastical music," shows Praetorius the biblical scholar, and comprises four sections that explore the music of the early church, uses of psalmody, the form of the Mass and liturgy, and the role of musical instruments as described in the Bible.
Theory, even of music of the common practice period, may take other forms. [155] Musical set theory is the application of mathematical set theory to music, first applied to atonal music. Speculative music theory, contrasted with analytic music theory, is devoted to the analysis and synthesis of music materials, for example tuning systems ...