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Conceptual photography is often used interchangeably with fine-art photography, and there has been some dispute about whether there is a difference between the two. However, the central school of thought is that conceptual photography is a type of fine-art photography. [4] Fine art photography is inclusive of conceptual photography.
Creative Camera (also known as "CC") was a British monthly/bi-monthly magazine devoted to fine art photography and documentary photography.The successor to the very different (hobbyist) magazine Camera Owner (which had started in 1964), Creative Camera was published in England between 1968 and 2000, [1] and was the forerunner of the short-lived DPICT (2000-2001).
Mickey Smith (born 1972 in Duluth, Minnesota, U.S.) is an American photographer, conceptual artist, and jewellery designer working in Auckland, New Zealand.Her works have exhibited throughout the United States, in Europe, China, Oceania, and Russia.
The Fox was a conceptual art magazine founded in 1975 by Sarah Charlesworth and Joseph Kosuth.It ran for three issues from 1975–76, and "in its short span ... contained some of the sharpest art writing of the period, and articulated new modes of artistic collaboration that shifted focus away from the idea of the individual creative genius.
Daniel Graham (March 31, 1942 – February 19, 2022) was an American visual artist, writer, and curator in the writer-artist tradition. In addition to his visual works, he published a large array of critical and speculative writing that spanned the spectrum from heady art theory essays, reviews of rock music, Dwight D. Eisenhower's paintings, and Dean Martin's television show.
Martha Rosler (born 1943) [1] is an American artist. She is a conceptual artist who works in photography and photo text, video, installation, sculpture, site-specific and performance, as well as writing about art and culture.
Charles Gaines (born 1944) is an American visual artist, whose work interrogates the discourse of aesthetics, politics, and philosophy.Taking the form of drawings, photographic series and video installations, the work consistently involves the use of systems, predominantly in the form of the grid, often in combination with photography.
PLA©EBO. General Idea was a collective of three Canadian artists, Felix Partz, Jorge Zontal and AA Bronson, who were active from 1967 to 1994. [1] As pioneers of early conceptual and media-based art, their collaboration became a model for artist-initiated activities and continues to be a prominent influence on subsequent generations of artists.