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The music video was inspired by Madonna's admiration of Marilyn Monroe and mimicked the latter's performance of the song "Diamonds Are a Girl's Best Friend" from the 1953 film Gentlemen Prefer Blondes. [2] The video was developed to simultaneously be an exegesis and a critique of the lyrics and Madonna herself. [7]
The Immaculate Collection was the highest-charting greatest hits album on the Billboard 200 in a decade since Greatest Hits (1980) by Kenny Rogers. The Immaculate Collection has sold over 30 million copies worldwide, [58] [59] making it the best-selling compilation album ever by a solo artist and one of the world's best-selling albums of all time.
"Bedtime Story" is a song by American singer Madonna from her sixth studio album, Bedtime Stories (1994). In Australia and most European countries, it was released as the third single from the album on February 13, 1995, whereas in the United States, the release date was two months later, on April 11.
Sunü (Chinese: 素女; lit. 'the Immaculate Girl') is an ancient Chinese goddess associated with music and sexuality. She is viewed as the divine sister of the Chinese war and sex goddess Jiutian Xuannü.
"Rescue Me" is a song by American singer Madonna from her first greatest hits album, The Immaculate Collection (1990). Written and produced by Madonna and Shep Pettibone, the song was released as the second single from The Immaculate Collection on February 26, 1991, in the United States, and as the third single on April 7 in the United Kingdom.
"Take a Bow" was developed after she listened to the basic beat and chords of a piece of music composed by him. Recorded at The Hit Factory Studios in New York, "Take a Bow" was backed by a full orchestra. It was also the first time that Babyface had worked with live strings, per Madonna's suggestion. "Take a Bow" lyrically talks about ...
The song follows the chord progression of G–A–Bm in the first line, when Madonna sings Holiday!, and changes to G–A–F ♯ m–G in the second line, when she sings Celebrate!. [10] The chord sequence has been compared to that of Cyndi Lauper's "Time After Time" (1984). [5]
The song continued Madonna's exploration of spoken word vocals, which she had introduced in "Justify My Love" (1990). A pop hip-hop and dance song with Middle Eastern influences, its lyrics talk about sadomasochism, with the singer using the alter ego Dita and inviting her lover to be submissive while she makes love to him.
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