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There is no precise definition of the term, but lenses marketed as "standard zoom" usually cover a range of at least 30mm to 70mm in terms of 35mm equivalent focal length with an optical zoom ratio of 2.5× (e.g. 28-70mm) to 5× (e.g. 24-120mm) — the most common being 3× (e.g. 24-70mm). [1]
A zoom lens is a system of camera lens elements for which the focal length (and thus angle of view) can be varied, as opposed to a fixed-focal-length (FFL) lens . A true zoom lens or optical zoom lens is a type of parfocal lens, one that maintains focus when its focal length changes. [1]
Two years earlier, the lens had been introduced as a one-touch zoom in the manual-focus Minolta SR mount (as a "plain" MD lens). However, production slowed and then eventually stopped for both the AF and MD versions; its successors, the 70-210mm f / 3.5-4.5 and 70-210mm f / 4.5-5.6 had none of the qualities of the original and build and image ...
Different kinds of camera lenses, including wide angle, telephoto and speciality. A camera lens (also known as photographic lens or photographic objective) is an optical lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
"Digital Technology", lenses for cameras with APS-C (or Super-35mm) size sensors, only. DT lenses will not fully illuminate the sensor/film area of 24×36mm full-frame cameras. Three DT lenses were made and sold by Konica Minolta: 11–18, 18–70, and 18–200mm. G "Gold" series, Minolta's line-up of high-grade lenses.
Leica 50 mm f /2.0 Summicron-R 2nd version – 1977 (built-in lens hood, 3-cam and R-cam only version) Leica 50 mm f /1.4 Summilux-R 1st version; Leica 50 mm f /1.4 Summilux-R 2nd version; Leica 50 mm f /1.4 Summilux-R 3rd version – 1997 (ROM contacts) Leica 60 mm Macro-Elmarit-R 1st version – 1972 – outside bayonet lens hood fitting
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