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Andrei Tarkovsky was born in the village of Zavrazhye in the Yuryevetsky District of the Ivanovo Industrial Oblast (modern-day Kadyysky District of the Kostroma Oblast, Russia) to the poet and translator Arseny Aleksandrovich Tarkovsky, a native of Yelysavethrad (now Kropyvnytskyi, Ukraine), and Maria Ivanova Vishnyakova, a graduate of the Maxim Gorky Literature Institute who later worked as a ...
Tarkovsky on a 2007 Russian stamp. Andrei Tarkovsky (1932–1986) [1] was a Soviet filmmaker who is widely regarded as one of the greatest directors of all time. [2] [3] His films are considered Romanticist and are often described as "slow cinema", with the average shot-length in his final three films being over a minute (compared to seconds for most modern films). [4]
The Sacrifice (Swedish: Offret) is a 1986 drama film written and directed by Andrei Tarkovsky. Starring Erland Josephson, the film was produced by the Swedish Film Institute. Many of the crew were alumni of Ingmar Bergman's films, including cinematographer Sven Nykvist.
Stalker (Russian: Сталкер, IPA: [ˈstaɫkʲɪr]) is a 1979 Soviet science fiction film directed by Andrei Tarkovsky with a screenplay written by Arkady and Boris Strugatsky, loosely based on their 1972 novel Roadside Picnic.
العربية; Azərbaycanca; تۆرکجه; Беларуская; Български; Català; Чӑвашла; Čeština; Dansk; Ελληνικά; Español; Euskara
The film references Tarkovsky's 1966 film Andrei Rublev by having an icon by Andrei Rublev being placed in Kelvin's room. [14] It is the second of a series of three films referencing Rublev, the last being Tarkovsky's next film, The Mirror, which was made in 1975 and which references Andrei Rublev by having a poster of the film hung on a wall. [15]
In 1968, after finishing Andrei Rublev, Tarkovsky went to the cinematographer's resort in Repino intending to write the script for The Mirror with Aleksandr Misharin. This script was titled Confession and was proposed to the film committee at Goskino. It contained popular themes such as a heroic mother, the war, and patriotism, but the proposal ...
Although Tarkovsky was at this time only an unknown film student, he wanted to hire the well-known Sergey Urusevsky as cinematographer. As Urusevsky turned down the offer, Tarkovsky hired Vadim Yusov , who would also be the cameraman for Tarkovsky's Ivan's Childhood and Andrei Rublev .
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