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The song begins, Non, rien de rien / Non, je ne regrette rien ("No, nothing at all / No, I regret nothing"). It goes on to describe how the singer has swept away all of her past and cares nothing for it, ending Car ma vie, car mes joies / Aujourd'hui, ça commence avec toi ("For my life, for my joys / Today, it starts with you").
"Non, je ne regrette rien" (English translation "No, I regret nothing"; often titled "No Regrets"), a 1956 song best known from Édith Piaf's version; Television
However, thinking of Piaf, he changed the title to "Non, je ne regrette rien" (No, I Regret Nothing). [4] According to journalist Jean Noli, in his book Édith (1973), when Charles Dumont and Michel Vaucaire visited Piaf's home at Boulevard Lannes in Paris, on 24 October 1960, she received them in a very impolite and unfriendly manner. Dumont ...
Charles Dumont, who composed Édith Piaf’s biggest hit, “Non, Je Ne Regrette Rien,” has died at age 95. Dumont’s wife told French news agency Agence France-Presse Monday that he had died ...
But, thinking of Édith, he changed the title to "Non, je ne regrette rien" (No, I Regret Nothing). According to journalist Jean Noli, in his book Édith (Éditions Stock 1973), when Dumont and Vaucaire visited Piaf's home at Boulevard Lannes in Paris on 24 October 1960, she received them in a very impolite and unfriendly manner. Dumont had ...
The film is structured as a largely non-linear series of key events from the life of Édith Piaf. [note 3] The film begins with elements from her childhood, and at the end with the events prior to and surrounding her death, poignantly juxtaposed by a performance of her song, "Non, je ne regrette rien" (No, I do not Regret Anything).
je ne regrette rien "I regret nothing" (from the title of a popular song sung by Édith Piaf: Non, je ne regrette rien). Also the phrase the UK's then Chancellor of the Exchequer Norman Lamont chose to use to describe his feelings over the events of September 16, 1992 ('Black Wednesday'). je ne sais quoi lit.
Edith Piaf’s original version is used in the 2014 video game BioShock Infinite: Burial at Sea: Episode 2, where it is also sung by one of the characters. Grace Jones’ version plays over the closing credits of Robert Altman’s 1994 film Prêt-à-Porter. The 2007 film La Vie en Rose, a biopic of Piaf’s life, is named in reference to the song.