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Three-chord progressions are common in earlier pop and rock, using various combinations of the I, IV and V chords, with the twelve-bar blues particularly common. A four chord progression popular in the 1950s is I-vi-ii-V, which in the key of C major is the chords C major, a minor, d minor and G7. Minor and modal chord progressions such as I ...
Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e
"I Ain't Superstitious" is a mid-tempo stop-time blues song that does not follow the typical chord progression. [2] Musician and writer Bill Janovitz described it as "not merely an electric version of the blues practiced in the Delta; it is something wholly new, a more aggressive and sophisticated Chicago cousin that acknowledges contemporary jazz, R&B, and pop forms".
Musically, however, there are differences in the recorded versions. Charlie Segar's original "Key to the Highway" was performed as a mid-tempo twelve-bar blues. [3] When Jazz Gillum recorded it later that year with Broonzy on guitar, he used an eight-bar blues arrangement [1] (May 9, 1940 Bluebird B 8529).
For example, Robert Johnson and Tampa Red, who were the first to record the most blues standards on the list at four each, performed them as solo or duo acoustic performances. B.B. King and Muddy Waters , with the most standards on the charts at five each, [ 8 ] used electric blues-ensemble arrangements.
Slide guitar is a technique for playing the guitar that is often used in blues music. It involves playing a guitar while holding a hard object (a slide) against the strings, creating the opportunity for glissando effects and deep vibratos that reflect characteristics of the human singing voice. It typically involves playing the guitar in the ...
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