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Medieval stained glass is the colored and painted glass of medieval Europe from the 10th century to the 16th century. For much of this period stained glass windows were the major pictorial art form, particularly in northern France, Germany and England, where windows tended to be larger than in southern Europe (in Italy, for example, frescos were more common).
The enamels leave a layer of glass projecting very slightly over the original surface, the edges of which can be felt by running a finger over the surface. Enamelled glass is often used in combination with gilding, but lustreware, which often produces a "gold" metallic coating is a different process. Sometimes elements of the "blank", such as ...
The first stage in the production of a window is to make, or acquire from the architect or owners of the building, an accurate template of the window opening that the glass is to fit. The subject matter of the window is determined to suit the location, a particular theme, or the wishes of the patron.
Roman blown-glass cinerary urn, dated between 1st and 3rd centuries AD. Archaeological evidence for glass making during the Roman period is scarce, but by drawing comparisons with the later Islamic and Byzantine periods, it is clear that glass making was a significant industry.
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The main type of glass found in the Anglo-Saxon period is a soda-lime-silica glass, continuing the Roman tradition of producing glass. [2] [3] There is very little evidence for glass making from the raw materials in Roman Britain [20] and even less evidence in Anglo-Saxon Britain. [3]
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