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Wine & Crime: 2017–present General: Lucy Fitzgerald, Kenyon Laing, Amanda Jacobson Wine & Crime [147] The Coldest Case in Laramie: 2023 1985 murder of Shelli Wiley in Laramie, Wyoming: Kim Barker: Serial Productions and The New York Times [148] Motive: 2019–present Chicago Sun-Times and WBEZ [149]
ATWWD occasionally features special guests, including the hosts' family and friends as well as comedian Lisa Lampanelli, who is Schiefer's aunt-in-law, and the podcast has done several crossover episodes with podcasts such as Wine and Crime, Morbid, and Sinisterhood, among others. [13]
The album was released on June 16, 2017, [1] one month after the US broadcast of American Epic: The Big Bang, the first film in the American Epic series, which included the Carter Family's story. [21] The album was issued as a download by Sony Legacy and a vinyl LP by Third Man Records.
This debut podcast from the television station behind true crime hits like Dirty John and Dr. Death dives deep into the search for a missing boy from New Jersey, uncovering the dark and twisted ...
From gospel to vaudeville to bluegrass, the roots of the Carter Family run deep and wide." [3] In his Country Standard Time review, critic Roy Kasten states "Like the preceding volume, most selections here are not the stuff of Greatest Hits, and for that they're especially worth savoring. Like the other seven volumes, these last CDs are ...
The Carter Family Volume 1: 1927-1934 and The Carter Family Volume 2: 1935-1941 Two boxed sets, each with five CDs of original recordings remastered. Volume 1 of 127 songs originally recorded for RCA Victor from 1927-1934 and Volume 2 of 130 songs recorded for RCA Victor plus ARC and Decca labels (Decca owned both) from 1935-1941.
Sebastian Bach's latest solo album, “Child Within the Man,” is a reminder that every once in a while, a man and a moment meet. This is that time for Bach and his former band Skid Row. The ...
PopMatters noted that this is "as good as a tribute album can be", commenting on the quality of John Carter Cash's musical direction, the album packaging, and sums up the assessment as "a reverent, well-executed, at times excellent, at times flawed, but always enjoyable, tribute album". [3]