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Erawan (Thai: เอราวัณ, from Pāḷi Erāvana, or Sanskrit Airāvana) is one of the Thai names of Airavata. It is depicted as a huge elephant with either three or sometimes thirty-three heads which are often shown with more than two tusks. Some statues show Indra, the king of Tavatimsa Heaven, riding on Erawan. [citation needed]
The massive three headed elephant made of bronze weighs 250 tons, is 29 metres high, 39 metres long and stands on a 15-meter-high (49 ft) pedestal. The inside of the museum is modeled after the Hindu representation of the universe. The lower two floors are located inside the pedestal while the top floor is located in the belly of the elephant.
Ever since the Stone Age, when elephants were represented by ancient petroglyphs and cave art, they have been portrayed in various forms of art, including pictures, sculptures, music, film, and even architecture. Elephant scalp worn by Demetrius I of Bactria (205–171 BC), founder of the Indo-Greek Kingdom, as a symbol of his conquest.
The Thai sacred and royal symbol was the white elephant (chang pueak or chang samkan). They are not albinos but are genetically different. White elephants are not white, they are a dusky pinkish grey. Phra Savet Adulyadej Pahon was a white elephant that belonged to Thailand's King Bhumibol Adulyadej.
The Elephant statue, also known as the Thai Elephant, is a bronze sculpture in front of The Arts House along High Street of the Downtown Core area in Singapore.
The Elephant Kraal is known in Thai as Phaniat Khlong Chang (Thai: เพนียดคล้องช้าง, pronounced [pʰā.nîa̯t kʰlɔ́ːŋ t͡ɕʰáːŋ]).The first element phaniat (Thai: เพนียด) means 'a ground for capturing elephants', or 'elephant corrals', or 'working place for elephants and taking care of elephant corrals' in a broader sense; the second element ...
Wat Phra That Doi Suthep is a gorgeously planned Wat with a story to tell about Buddhism. Once the Naga lined steps are surmounted (the longest Naga balustrade in Thailand), the first site one sees is the White elephant statue commemorating the story behind the Wat placement.
Ayutthaya images were created between the tenth and eighteenth centuries. They had a unique hair frame and tell-tale narrow carvings above the lips and eyes. Early Ayutthaya images were carved in stone with heavy influence from the Lopburi images. Middle Ayutthaya images were similar to the Sukhothai images, and were in similar poses.
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