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Yupei could be stringed together to make an ensemble of jade pendants (which would hold at the belt and could also be composed of chains of bi (璧; jade discs or jade rings). [ 2 ] : 18–20 Jade in the form of huang were also popular in the making of yupei and had a rigid and specific rules attached to its use.
Both jade magatama from the site are of unusually high-quality brilliant green jade. [16] One known center of Yayoi magatama production was in the area of the Tamatsukuri Inari Shrine in Osaka. Tamatsukuri literally means "jewel making", and a guild, the Tamatsukuri-be, was active from the Yayoi period. An existing jewel at the shrine is said ...
Some jade pendants also combined jades in the shape of dragons, phoenixes, humans, human-dragons, and animals, etc. [20] [21] [22] In the Qing dynasty, it was popular for women to wear green, translucent jade jewelries; pendants which were carved in the shape of a curving dragon was popular.
Kahlo wore her pre-Columbian carved beads in her art, as seen in her 1933 Self-Portrait With Necklace (the first where she now famously drops in wisps of a mustache). These are crafted of jade ...
Traditionally there were several types of hei-tiki which varied widely in form. Modern-day hei-tiki, however, may be divided into two types. The first type is rather delicate with a head/body ratio of approximately 30/70 and small details such as ears, elbows and knees.
The Māori word pounamu is derived from namu, an archaic word that describes blue-green (or 'grue') cognate with Tahitian ninamu. [2] Pounamu, also used in New Zealand English, in itself refers to two main types of green stone valued for carving: nephrite jade, classified by Māori as kawakawa, kahurangi, īnanga, and other names depending on colour; and translucent bowenite, a type of ...
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