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The General Prologue names the prioress as Madame Eglantine, and describes her impeccable table manners and soft-hearted ways. Her portrait suggests she is likely in religious life as a means of social advancement, given her aristocratic manners and mispronounced French.
The question of whether The Canterbury Tales is a finished work has not been answered to date. There are 84 manuscripts and four incunabula (printed before 1500) editions [4] of the work, which is more than for any other vernacular English literary text with the exception of Prick of Conscience.
Bryant, Margaret (December 1949). "New Books: Chaucer's Pilgrims". College English. 11 (3). National Council of Teachers of English: 169. doi:10.2307/585986. JSTOR 585986. (subscription required) Galway, Margaret (October 1950). "Book Reviews: A Commentary on the General Prologue to the Canterbury Tales". The Review of English Studies. 1 (4).
The frame story of the poem, as set out in the 858 lines of Middle English which make up the General Prologue, is of a religious pilgrimage. The narrator, Geoffrey Chaucer, is in The Tabard Inn in Southwark, where he meets a group of 'sundry folk' who are all on the way to Canterbury, the site of the shrine of Saint Thomas Becket, a martyr reputed to have the power of healing the sinful.
Pilgrim – The designation of each pilgrim in the General Prologue, commonly accepted alternate designation within the name of their Tale, and membership in group of pilgrims if any. The pilgrims' names link to their Tales' articles. GP (General Prologue) – This column lists the order in which each character is mentioned in the General Prologue.
The Pilgrims in The Canterbury Tales by Geoffrey Chaucer are the main characters in the framing narrative of the book. In addition, they can be considered as characters of the framing narrative the Host, who travels with the pilgrims, the Canon, and the fictive Geoffrey Chaucer, the teller of the tale of Sir Thopas (who might be considered distinct from the Chaucerian narrator, who is in turn ...
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The Ellesmere manuscript is a highly polished example of scribal workmanship, with a great deal of elaborate illumination and, notably, a series of illustrations of the various narrators of the Tales (including a famous one of Chaucer himself, mounted on a horse).