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The Italian folk revival was accelerating by 1966, when the Istituto Ernesto de Martino was founded by Gianni Bosio in Milan to document Italian oral culture and traditional music. With the emergence of the Nuova Compagnia di Canto Popolare in 1970, the notion of a musical group organized to promote the music of a particular region (in this ...
Printable sheet music primarily for singers and voice teachers—most downloadable. Emphasis on standard classical and traditional repertoire. IPA transcriptions available for every German, French, Italian and Latin song in the index. Supplementary information on more than 250 songs. ART SONG CENTRAL: The Ashford Sheet Music Collection
Italian folk styles are very diverse, and include monophonic, polyphonic, and responsorial song, choral, instrumental and vocal music, and other styles. Choral singing and polyphonic song forms are primarily found in northern Italy, while south of Naples, solo singing is more common, and groups usually use unison singing in two or three parts ...
Folk Songs is a song cycle by the Italian composer Luciano Berio composed in 1964. It consists of arrangements of folk music from various countries and other songs, forming "a tribute to the extraordinary artistry" of the American singer Cathy Berberian , a specialist in Berio's music.
First published as sheet music in 1934, was first recorded in 1935 by Carlo Buti. The song is part of a 1930s trend which in deference to the fascist rhetoric of the time tended to magnify the image and history of Rome. [1] [2] The song mixes lyrical and folk components, and echoes some elements of the 1926 successful song "Barcarolo romano ". [1]
[2] [a] The song was sung for the first time in the Quisisana Hotel [b] in Castellammare di Stabia. It was presented by Turco and Denza at the Piedigrotta festival during the same year and became immensely popular in Italy and abroad. [5] Published by Casa Ricordi, the sheet music sold over a million copies in a year. [1]
Also around this time, Italian flagellants developed the Italian folk hymns known as spiritual laude. Between 1317 and 1319, Marchettus of Padua wrote the Lucidarium in artae musicae planae and the Pomerium artis musicae mensuratae , major treatises on plainchant and polyphony , expounding a theory of rhythmic notation that paved the way for ...
Significantly, it is the first Neapolitan song to be translated to Italian lyrics. Its transcriber, who is often miscredited as its composer, was the son of the French-born Italian composer and collector of songs Guillaume Louis Cottrau (1797–1847). Various sources credit A. Longo with the music, 1835. [citation needed]
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