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He can "talk to himself", "to somebody else", "refer to something" etc. For example Firaq Gorakhpuri, whose takhallus is the word for the common theme in Urdu poetry of the state of pining for the beloved, plays on his pen name and the word firaq: Urdu: تو یہ نہ سمجھنا کے فِراق تیری فِراق میں ہیں
The following is a List of Urdu-language poets This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Poems in Urdu (6 P) Poetry by Mirza Ghalib (1 P) Poetry by Muhammad Iqbal (20 P) Urdu-language poets (4 C, 57 P) Pages in category "Urdu-language poetry"
Urdu poetry (Urdu: اُردُو شاعرى Urdū šāʿirī) is a tradition of poetry and has many different forms. Today, it is an important part of the culture of India and Pakistan . According to Naseer Turabi, there are five major poets of Urdu: Mir Taqi Mir (d. 1810), Mirza Ghalib (d. 1869), Mir Anees (d. 1874), Muhammad Iqbal (d. 1938 ...
Urdu literature (Urdu: ادبیاتِ اُردُو, “Adbiyāt-i Urdū”) comprises the literary works, written in the Urdu language.While it tends to be dominated by poetry, especially the verse forms of the ghazal (غزل) and nazm (نظم), it has expanded into other styles of writing, including that of the short story, or afsana (افسانہ).
Zauq was a prominent contemporary of Ghalib and in the history of Urdu poetry the rivalry of the two poets is quite well known. During his lifetime Zauq was more popular than Ghalib for the critical values in those days were mainly confined to judging a piece of poetry on the basis of usage of words, phrases and idioms. Content and style were ...
In Persian, Turkic and Urdu poetry, the matla ' (from Arabic مطلع maṭlaʿ; Persian: مطلع; Azerbaijani: mətlə; Turkish: matla; Uzbek: matla; Urdu: مطلع) is the first bayt, or couplet, of a ghazal. [1] [2] In this sense, it is the opposite of the maqta'.
The awit (Tagalog for "song" [1]) is a type of Filipino poem, consisting of 12-syllable quatrains. It follows the pattern of rhyming stanzas [which?] established in the Philippine epic Pasyon. It is similar in form to the corrido. [2] One influential work in the awit form is Florante at Laura, an 1838 narrative poem by Francisco Balagtas. [3]