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Characteristic of his early pictures is A Hadúr kardja ("The Warrior's Sword", 1890), a proto-Symbolist treatment of rural genre showing the influence of Jules Bastien-Lepage. After his return to Munich, Iványi-Grünwald painted a large-scale genre painting entitled Nihilisták sorsot húznak ("Nihilists Drawing Lots", 1893), a work as ...
Elisabeth Condon (born 1959) [1] is a contemporary American painter who combines natural imagery, the built environment, and abstraction in her free-flowing synthetic landscapes. Vivid color palettes and contrasting organic and geometric shapes characterize Condon's work.
Donna S. Dewberry (born November 6, 1953) is an American artist and author who developed a "One Stroke" painting technique that will enable anyone to reproduce any effect of nature with one easy-to-learn technique.
Chinese landscape painting timeline. Shan shui painting first began to develop in the 5th century, [1] in the Liu Song dynasty. [2] It was later characterized by a group of landscape painters such as Zhang Zeduan, [3] most of them already famous, who produced large-scale landscape paintings. These landscape paintings usually centered on mountains.
John Constable RA (/ ˈ k ʌ n s t ə b əl, ˈ k ɒ n-/; [1] 11 June 1776 – 31 March 1837) was an English landscape painter in the Romantic tradition. Born in Suffolk, he is known principally for revolutionising the genre of landscape painting [2] with his pictures of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of ...
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Pu Hua (蒲华; 蒲華; Pú Huá; P'u Hua; c. 1834–1911) was a Chinese landscape painter and calligrapher during the Qing dynasty. His style name was 'Zuo Ying'. Pu painted landscapes and ink bamboo in an unconventional style of free and easy brush strokes. He is one of the important representatives of the Shanghai School. [65]
Image Details Infernal Landscape. Type: Pen and brown ink Size: 25.9 x 19.7 cm Location: Private Collection Infernal Landscape previously thought to have been made by an assistant in the workshop of medieval Dutch artist Hieronymus Bosch has been authenticated as a piece by the master himself by the Bosch Research and Conservation Project (BRCP).
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