Search results
Results from the WOW.Com Content Network
This article about the development of themes in Italian Renaissance painting is an extension to the article Italian Renaissance painting, for which it provides additional pictures with commentary. The works encompassed are from Giotto in the early 14th century to Michelangelo 's Last Judgement of the 1530s.
A triptych (/ ˈ t r ɪ p t ɪ k / TRIP-tik) is a work of art (usually a panel painting) that is divided into three sections, or three carved panels that are hinged together and can be folded shut or displayed open. It is therefore a type of polyptych, the term for all multi-panel works. The middle panel is typically the largest and it is ...
The Three Philosophers is an oil painting on canvas attributed to the Italian High Renaissance artist Giorgione. It shows three philosophers – one young, one middle-aged, and one old. The work may have been commissioned by the Venetian noble Taddeo Contarini, a Venetian merchant with an interest in the occult and alchemy. [1] [2] The Three ...
The work is often known by the moniker of The Three Graces, referring to the three goddesses of the Charites (the Gratiae or "Graces") from Roman mythology who appear as a common theme in Western art. Art historians refer to the painting as one of the most impressionistic works Bracquemond produced during this period. French art critic Gustave ...
[10] One of the best known practitioners of German Renaissance art was Albrecht Dürer (1471–1528), whose fascination with classical ideas led him to Italy to study art. Both Gardner and Russell recognized the importance of Dürer's contribution to German art in bringing Italian Renaissance styles and ideas to Germany.
Additionally, three further paintings by Repin were exhibited at the same event - portraits of the actor M.S. Schepkin and the composers A.K. Glazunov and A.P. Borodin. [6] The painting Saint Nicholas of Myra saves three innocents from death in the State Russian Museum (left - I.E. Repin's painting Belarusian ).
In the paintings of the last series, a tense and deceitful relationship between the two sexes prevailed —one of Goya's favorite themes, which he developed in Los caprichos—, and Tomlinson (2008) notes that preparatory drawings for such a series may have been developed since then. [61]
Henri Matisse, The Dance I, 1909, Museum of Modern Art.One of the cornerstones of 20th-century modern art.. 20th-century Western painting begins with the heritage of late-19th-century painters Vincent van Gogh, Paul Cézanne, Paul Gauguin, Georges Seurat, Henri de Toulouse-Lautrec, and others who were essential for the development of modern art.