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A chord's inversion describes the relationship of its lowest notes to the other notes in the chord. For instance, a C major triad contains the tones C, E and G; its inversion is determined by which of these tones is the lowest note (or bass note) in the chord. The term inversion often categorically refers to the different possibilities, though ...
The first inversion of a chord is the voicing of a triad, seventh chord, or ninth chord in which the third of the chord is the bass note and the root a sixth above it. [1] In the first inversion of a C-major triad, the bass is E — the third of the triad — with the fifth and the root stacked above it (the root now shifted an octave higher), forming the intervals of a minor third and a minor ...
In major-thirds tuning, chords are inverted by raising notes by three strings on the same frets. The inversions of a C major chord are shown. [76] A chord is inverted when the bass note is not the root note. Chord inversion is especially simple in M3 tuning. Chords are inverted simply by raising one or two notes by three strings; each raised ...
In music theory, a major chord is a chord that has a root, a major third, and a perfect fifth. When a chord comprises only these three notes, it is called a major triad . For example, the major triad built on C, called a C major triad, has pitches C–E–G:
The third inversion of a seventh chord is the voicing in which the seventh of the chord is the bass note and the root a major second above it. In the third inversion of a G-dominant seventh chord, the bass is F — the seventh of the chord — with the root, third, and fifth stacked above it (the root now shifted an octave higher), forming the intervals of a second, a fourth, and a sixth above ...
[56] [59] The major-third intervals let the guitarist play major chords and minor chords with two three consecutive fingers on two consecutive frets. [60] Chord inversion is especially simple in major-thirds tuning. The guitarist can invert chords by raising one or two notes on three strings—playing the raised notes with the same finger as ...
For example, G sus2 (G–A–D) is the first inversion of D sus4 (D–G–A) which is the second inversion of G sus2 (G–A–D). The sus2 and sus4 chords both have inversions that create quartal and quintal chords (A–D–G, G–D–A) with two stacked perfect fourths or perfect fifths. Sevenths on suspended chords are "virtually always minor ...
Likewise the notation C/G bass indicates that a C major chord with a G in the bass (second inversion). See figured bass for alternate method of notating specific notes in the bass. Upper structures are notated in a similar manner to inversions , except that the bass note is not necessarily a chord tone .
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