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A pictogram (also pictogramme, pictograph, or simply picto [1]) is a graphical symbol that conveys meaning through its visual resemblance to a physical object. Pictograms are used in systems of writing and visual communication.
A pictograph (also called pictogram or pictogramme) is an ideogram that conveys its meaning through its pictorial resemblance to a physical object. Subcategories This category has the following 3 subcategories, out of 3 total.
For example, in 1999 the Red Cross informed Ultimate Symbol that their 1996 publication Official Signs & Icons, featuring various symbol collections, that the Red Cross in the AIGA pictogram collection was a violation of the Geneva Convention and United States trademark laws, and asked for its removal from future editions.
Generally, with the evolution of the script, the forms of pictographs became less directly representational, to the extent that their referents are no longer plausible to intuit. Examples include 田 'field'，and 心 'heart'. Indicatives (指事字 zhǐshìzì) like 上 'up' and 下 'down', or numerals like 三 'three'.
An example that illustrates the Rebus principle is the representation of the sentence "I can see you" by using the pictographs of "eye—can—sea—ewe". Some linguists believe that the Chinese developed their writing system according to the rebus principle, [ 9 ] and Egyptian hieroglyphs sometimes used a similar system.
Originally meaning pictograph, the word emoji comes from Japanese e (絵, 'picture') + moji (文字, 'character'); [4] the resemblance to the English words emotion and emoticon is purely coincidental. [5] The first emoji sets were created by Japanese portable electronic device companies in the late 1980s and the 1990s. [6]
For example, the character 來 (lái) was originally a pictograph of a wheat plant, with the meaning * m-rˁək 'wheat'. As this was pronounced similar to the Old Chinese word * mə.rˁək 'to come', 來 was loaned to write this verb.
Hypergraphy is rooted in the core Lettrist concept that every major arena of human interaction, whether it be literary or economic, follows the same basic pattern.A paradigm is introduced into a system and iterated upon until all possibilities are exhausted (this is deemed the amplic phase), at which point the only path forward is to deconstruct the system down to its most granular elements ...