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Didron, Adolphe Napoléon, Christian Iconography: Or, The History of Christian Art in the Middle Ages, Translated by Ellen J. Millington, H. G. Bohn, (Original from Harvard University, Digitized for Google Books) – Volume I, Part I (pp. 25–165) is concerned with the halo in its different forms, though the book is not up to date. Dodwell, C. R.,
A religious image is a work of visual art that is representational and has a religious purpose, subject or connection. All major historical religions have made some use of religious images, although their use is strictly controlled and often controversial in many religions, especially Abrahamic ones.
This image has been assessed under the valued image criteria and is considered the most valued image on Commons within the scope: Christian Flag.
Media in category "Spiritual and religious images" The following 2 files are in this category, out of 2 total. Christian-Trinity-vs-Quran.png 391 × 600; 24 KB.
The illumination of religious images with lamps or candles is an ancient practice pre-dating Christianity. According to Fr. Les Bundy, "The Ecumenical Counciliar dogmatic decrees on icons refer, in fact, to all religious images including three-dimensional statues.
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
The motif of the hand, with no body attached, provides a problem for the artist in how to terminate it. In Christian narrative images the hand most often emerges from a small cloud, at or near the top of the image, but in iconic contexts it may appear cut off in the picture space, or spring from a border, or a victor's wreath (left).
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