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Nausicaä of the Valley of the Wind (Japanese: 風の谷のナウシカ, Hepburn: Kaze no Tani no Naushika) is a 1984 Japanese animated post-apocalyptic fantasy film written and directed by Hayao Miyazaki, based on his 1982–94 manga series of the same name.
"21:9" ("twenty-one by nine" or "twenty-one to nine") is a consumer electronics (CE) marketing term to describe the ultrawide aspect ratio of 64:27 (2. 370:1 or 21. 3:9), designed to show films recorded in CinemaScope and equivalent modern anamorphic formats.
The chibi art style is part of the Japanese kawaii culture, [9] [10] [11] and is seen everywhere from advertising and subway signs to anime and manga. The style was popularized by franchises like Dragon Ball and SD Gundam in the 1980s. It is used as comic relief in anime and manga, giving additional emphasis to a character's emotional reaction.
Anime enthusiasts have produced fan fiction and fan art, including computer wallpapers, and anime music videos (AMVs). [206] Many fans visit sites depicted in anime, games, manga and other forms of otaku culture. This behavior is known as "Anime pilgrimage". [207]
On September 11, the film became the 20th highest-grossing anime in Japan. [105] It dropped out of the top 10 grossing films for the first time in its thirteenth weekend. [ 106 ] The gross amount increased by about one to three hundred thousand yen each week, from ¥8.44 billion on October 15 to ¥8.66 billion on December 24. [ 107 ]
In a lifestyle adopting minimalism, there is an effort to use materials which are most essential and in quantities that do not exceed certain limits imposed by the user themselves. There have been many terms evolved from the concept, like minimalist decors, minimalist skincare, minimalist style, minimalist accessories, etc.
It ranges from advertisements, anime, video games, and architecture as already mentioned, to sculpture, painting, and drawing in all their myriad forms. Japanese artists have made especially notable contributions to global contemporary art in the fields of architecture, video games, graphic design, fashion, and perhaps above all, animation.
The score for the film was composed by minimalist electronic musician Max Richter, while the featured songs are by OMD ("Enola Gay"), PiL ("This is Not a Love Song"), Navadey Haukaf (נוודי האוכף, or "Good Morning Lebanon", which was written for the film), HaClique ("Incubator"), and Zeev Tene ("Beirut", which is a remake of the Cake ...
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