Search results
Results from the WOW.Com Content Network
Persian scale on C Play ⓘ.. The Persian scale is a musical scale occasionally found in guitar scale books, along with other scales inspired by Middle Eastern music. It is characterized by the liberal use of half steps (4), augmented seconds (2), and frequent use of chromaticism.
Download as PDF; Printable version; In other projects ... Miyako-bushi scale on D, ... Letters Chromatic: 1 1 1: H-H-H Diminished: 1 2 1:
Place this template at the bottom of appropriate articles about guitars: {{Guitar tunings}} This template's initial visibility currently defaults to autocollapse, meaning that if there is another collapsible item on the page (a navbox, sidebar, or table with the collapsible attribute), it is hidden apart from its title bar; if not, it is fully visible.
Chords that may be derived from the B Hungarian minor scale are Bm(maj7), C ♯ 7 ♭ 5, Dmaj7 ♯ 5, E ♯ 6sus2 ♭ 5, F ♯ maj7, Gmaj7, G7, A ♯ m6 and more. This scale is obtainable from the double harmonic scale by starting from the fourth degree of that scale, so the C Hungarian minor scale is equivalent to the G double harmonic scale. [7]
Per Wikipedia:Manual of Style (music)#Accidentals, this template (or the terms for the accidentals) should be used in preference to the lowercase letter "b" and the number sign (#). The images used here are categorized at commons:Category:Template:Music , so if you change an image used please try to remember to update the categorization.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
The scale originated in Nicolas Slonimsky's book Thesaurus of Scales and Melodic Patterns through the "equal division of one octave into two parts," creating a tritone, and the "interpolation of two notes," adding two consequent semitones after the two resulting notes. [15] The scale is the fifth mode of Messiaen's list.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest. [6]