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Danse de la chèvre (French for Dance of the Goat) is a piece for solo flute by Arthur Honegger, written in 1921 as incidental music for dancer Lysana of Sacha Derek's play La mauvaise pensée. At the start of the piece, there is a slow dreamlike introduction consisting of tritone phrases.
1926 : H 62 Pour le cantique de Salomon (For the Song of Solomon) 1926 : H 63 Trois Chansons de La Petite Sirène (Three Songs of the little Siren) for voice, flute and string quartet, or for voice and piano 1927 : H 64 Napoléon de Abel Gance 1926 : H 65 Antigone, libretto by Jean Cocteau based on Sophocles 1928 : H 66 Roses de métal, lost
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Honegger collaborated with the other members of Les Six only in 1920 (with a short 'Sarabande' for L'Album des Six), and 1921 (with a 'Marche funèbre' for Les mariés de la tour Eiffel, and finally in 1952 (with a 'Toccata' for La Guirlande de Campra). Honegger's Sonata for cello and piano H. 32 composed in 1920 was premiered in 1921 by Diran ...
Théâtre du Jorat, Mézières, where the dramatic psalm was first performed. Original 1921 version: Honegger originally wrote his Le Roi David music for the forces that were available at Morax's Mézières village theatre group, creating a score for the resources available; a small ensemble of 16 musicians comprising: 2 flutes [1 doubling piccolo], 1 oboe [doubling cor anglais], 2 clarinets ...
Les aventures du roi Pausole (The adventures of King Pausole) is an opérette in three acts with music by Arthur Honegger and a French libretto by Albert Willemetz, based on the 1901 novel by Pierre Louÿs. [1] It was Honegger's third operatic work, but his first in lighter vein, composed between May and November 1930, and dedicated to Fernand ...
From 1973 to 1976 he was artistic director of the Festival de Royan. [3] He was known for a number of books, articles and studies on modern and contemporary music, including monograph works on Olivier Messiaen, Claude Debussy, Arthur Honegger, and Bohuslav Martinů.
From 1952 to 1968, René Le Roy was a solo flute at the New York City Opera Orchestra, and until 1971 he was a chamber music teacher at the Conservatoire de Paris. Among his students were Christine Alicot, Juho Alvas, Thomas Brown, Susan Morris DeJong, Geoffrey Gilbert and Bassam Saba.