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The Black Mountain poets were largely free of literary convention, a feature which defined contemporary American poets. [6] Their work became characterized by open form. [3] Olson's pedagogical approach to poetry emphasized the importance of personal experience and direct observation, something which greatly influenced the Black Mountain poets. [7]
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New Formalism is a late 20th- and early 21st-century movement in American poetry that has promoted a return to metrical, rhymed verse and narrative poetry on the grounds that all three are necessary if American poetry is to compete with novels and regain its former popularity among the American people.
Ted Kooser was part of the Midwest Poetry Renaissance in the 1960s and 1970s. The Midwest Poetry Renaissance drew on elements of Rural America through a five-state swath of the Great Plains region. Poets of the Midwest were respected among artists throughout the country due to being informed of larger societal forces, such as the distrust of a ...
The dominant form of German lyric poetry in the period was the minnesang, "a love lyric based essentially on a fictitious relationship between a knight and his high-born lady". [12] Initially imitating the lyrics of the French troubadours and trouvères, minnesang soon established a distinctive tradition. [12]
Pearl (Middle English: Perle) is a late 14th-century Middle English poem that is considered one of the most important surviving Middle English works. With elements of medieval allegory and from the dream vision genre, the poem is written in a North-West Midlands variety of Middle English and is highly—though not consistently—alliterative; there is, among other stylistic features, a complex ...
Media in category "Middle English poetry" This category contains only the following file. Werewolf script.jpg 621 × 201; 29 KB
The professionalization and rationalization of poetry in the academy took hold and routinized the teaching and writing of poetry." Later in the volume (p. 128) poet Joanne Kyger comments: "The Language school I felt was a kind of an alienating intellectualization of the energies of poetry. It carried it away from the source.
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