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The intended application for a phone connector has also resulted in names such as audio jack, headphone jack, stereo plug, microphone jack, aux input, etc. Among audio engineers, the connector may often simply be called a quarter-inch to distinguish it from XLR, another frequently-used audio connector.
† Although the mic input is usually mono, the input is still a TRS phone socket. Many mono 'computer' mics are fitted with TRS plugs. The tip is for the MIC and the ring is for power (to power an electret-condenser style MIC). There are exceptions to the above: Hosa cables use grey and orange for left and right analogue channels.
Popular microphone connector from 1930s to 1980s, originally manufactured by Amphenol. Amphenol sold this production to WPI Interconnect in early 1980s. The Amphenol 80-MC2M, which mates with the 80-PC2F, microphone connector was popular with American radio manufacturers (1950s to 1970s). The Amphenol 80-PC2F connector, that mates with the 80-MC2M
Balanced connections typically use shielded twisted-pair cable and three-conductor connectors. The connectors are usually three-pin XLR or 1 ⁄ 4 inch (6.35 mm) TRS phone connectors. When used in this manner, each cable carries one channel, therefore stereo audio (for example) would require two of them.
Star-quad cable intended for use with a single two-wire circuit or two two-wire circuits. It is often used with microphone signals in professional audio. Star-quad cable cross-section Star-quad exploded view showing the geometric centers of the dual-conductors used for each leg of the balanced line.
Typical live use of a multicore (thick cable on stage) Multicores usually create a link between the stage and sound desk, or live room and control room.When used in sound reinforcement, the multicore cable runs from the stage box or microphone splitter to the front-of-house sound desk, where it connects to a mixing console. [2]
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